Career Highlights

She does it all — films, series, theatre, and public talks — and she masters them with ease. Monica Guerritore moves effortlessly between genres and styles, from classical drama to contemporary storytelling, from intense monologue to light-hearted comedy. Whether she’s performing on screen, commanding the stage, or speaking directly to an audience, she brings the same fierce intelligence, emotional depth, and artistic precision. Her ability to adapt, lead, and transform across so many forms of expression makes her one of the most versatile and respected voices in Italian culture today.

La Lupa

La Lupa is a powerful verismo drama based on the novella by Giovanni Verga. Set in a poor Sicilian village, the story centers on Pina, nicknamed “La Lupa” for her uncontrollable sexual desire. She becomes obsessed with a young farmer, Nanni, who rejects her and marries her daughter Maricchia. Despite this, Pina continues to seduce him, leading to tension, shame, and ultimately violence.

Monica Guerritore plays Pina with intense passion and sensuality. Her character embodies the central theme: the destructive force of unchecked desire within a closed, traditional community. The film shows how instinct and passion can overpower reason and social norms.

Inganno

Inganno is a stylish and emotionally charged Italian miniseries that follows Gabriella, a wealthy woman in her sixties who runs a boutique hotel on the Amalfi Coast. Recently divorced, she begins a passionate relationship with Elia, a mysterious man in his thirties. Their romance reignites her sense of freedom and desire but causes tension with her children and ex-husband, who suspect Elia may have ulterior motives.

The series explores themes of age-gap relationships, the clash between personal happiness and family expectations, and the risk of following desire over reason.

Monica Guerritore plays the lead role of Gabriella with elegance and emotional depth, portraying a woman rediscovering her identity and sensuality. Her performance earned her the 2025 Nastro d’Argento award for Protagonist of the Year.

Fred & Ginger

Ginger & Fred is a theatrical adaptation of Federico Fellini’s famous film. It tells the story of two former dance partners, once known as Ginger and Fred, who reunite after many years to appear on a TV variety show. As they rehearse for their brief comeback, they reflect on their past, lost dreams, and the superficiality of modern entertainment.

At the heart of the play is Monica Guerritore, who plays Amelia “Ginger” Bonetti. She is also the director and adaptor of the show, bringing a fresh, critical take on the original. Her role is central—both on stage and behind the scenes—as she breathes new life into Fellini’s vision with emotional depth, elegance, and modern relevance.

Joan of Arc

Tireless, perfectionist, and always seeking big challenges, she wrote directed and performed ‘Joan of Arc’ - a real tour de force - from 2005 - 2009. The play is now also being performed in France in a French translation by Jean Paul Manganaro (translator of Calvino and Pasolini).

Monica stands alone on stage, yet with minimal props - a rope, a stake, lighting, and music - she conjures an entire world. Her Jeanne is not a distant historical icon, but a fiery young woman who follows her inner calling and resists a world that does not understand her. Guerritore portrays her with physical and emotional strength that deeply moves the audience: every glance and movement carries meaning.

Husband and Wives

She adapted Woody Allen’s screenplay ‘Husband and Wives’ for the stgae - with Mr. Allen’s permission.

In ‘Mariti e Mongli’, Guerritore masterfully adapts and directs the story of two couples facing the unraveling of their relationships. When one couple splits up, a chain reaction of doubt, jealousy, and hidden longing is set in motion.

End of the Rainbow

She played an iconic Judy Garland in ‘End of the Rainbow’, where she also proved to be a talented live singer.

“End of the Rainbow” tells the gripping story of the final weeks in the life of legendary singer Jury Garland. The Italian adaptation of this internationally acclaimed play gains powerful emotional depth through the exceptional performance of Monica Guerritore, who brings Garland to life in all her vulnerability, rage, humor, and longing.

The Cherry Orchard

Giorgio Strehler knew immediately Monica was perfect to play the daughter of the lovely Valentina Cortese in Cechov’s masterpiec.

She was only 15. She made her stage debut at a young age as Anya. The young daughter full of hope for change, embodied a new generation.

From dreamy youth to fading aristocrazy, Guerritore gave both faces of Chekhov’s masterpiece a powerful soul.

La Lupa

The film ‘La Lupa/ She Wolf’ turned her into an internationally acclaimed dramatic star. La lupa is a Italian drama, adapted from the classic short story by Giavanni Verga. Set in the rigid and patriarchal society of 19th-century Sicily, the film follows a fiercely independent and passionate woman, known as “La Lupa” - played by Monica Guerritore - who defies societal norms in pursuit of desier and emotional truth.

The good Person of Sezuan

In 2019, she took on another majar challenge: directing and starring in Brecht’s ‘The good Person of Sezaun’, as a tribute to her beloved mentor Giorgio Strehler. “I’m not afraid",” she declaired. “I stand on a giant’s shoulders.’

Monica Guerritore emphasizes the timeless struggle between idealism and survival, showing how modern society - like Brecht’s - demands masks and compromises. Her poetic staging, emotional depth, and use of symbolic music connect the story directly to today’s world, making it urgent, moving, and deeply human.

Inganno

The serie ‘Deceitful Love’ was met with immediate succes and climbed into Netflix’s global Top 10, even reaching number one spot in several countries, including the US.

  • La vita dopo una certa età cambia. Non si ha più voglia di drammi, di conflitti, di spiegazioni. Si comincia una sorta di 'Selezione'.

    Monica Guerritore

  • Lasciami tutte le rughe, non me ne togliere nemmeno una. Le ho pagate tutte care. C'ho messo una vita a farmele!

    Anna Magnani

  • La fase che sto vivendo porta dei vantaggi: per esmpio che si possa amare senza pensara a dover fare dei figli. Amare per amare.

    Monica Guerritore

  • C'è bisogno di raccontare un interregno femminile che esiste, ma che spesso è stato dimenticato.

    Monica Guerritore

  • Scelte do qualità che potessero lasciare un segno.

    Monica Guerritore

  • Il teatro è una palestra per l'anima, il coure, i sentimenti.

    Monica Guerritore

  • Il coraggio. Come Oriana, non ho mai voluto scusarmi per lo spazio che occupavo.

    Monica Guerritore

  • Il tempo lo analizzi in continuazione...Le cose cambiano e noi stessi cambiamo.

    Monica Guerritore

  • I segni del tempo sono il sup biglietto da visita...certificano la sua autorevolezza.

    Monica Guerritore about Anna Magnani but also reverence to her

  • Il mio film parte dal 21 marzo 1956, la notte in cui la Magnani aspetta l'Oscar...Dopo l'Oscar il grande schermo non le è più familaire...la curva del destino.

    Monica Guerritore

  • Non ero in quel fiume di giovani ragazze inesperte...nonostante il nome, il talento e l'esperienze ho avuto difficoltà e le porte chiuse.

    Monica Guerritore

  • Mi hanno scelta perché non ero rifatta. L'amore di una donna tra i 50 e i 70 anni va raccontato.

    Monica Guerritore

  • Se una donna di 60 anni doveva sembrare di 40, il pubblico non si sarebbe identificato.

    Monica Guerritore

  • In Inganno la protagonista si umilia per amore, ma quella passione la rende viva. Diventa padrona del suo destino.

    Monica Guerritore

  • Accettai quel ruolo perché era scritto con amore, con curiosità per tutte le sue crepe...Avevo bissogno di una storia dal sicuro successo.

    Monica Guerritore

  • Il corpo per noi attori di teatro è uno strumento di lavoro: è come cammini, come ti siedi, come abbracci.

    Monica Guerritore

  • Inganno mostra che una donna di 60 anni puo ancora innamorarsi e avere una vita sessuale travolgente.

    Monica Guerritore

  • Ho affrontato temi come sessualità adolescenziale, aborto, incesto e adulterio...

    Monica Guerritore

  • Accettia quel ruolo perché era scritto con amore...avevo bisgno di una storia dal sicuro successo.

    Monica Guerritore

  • Già nella Lupa ricordavo Anna Magnani, negli occhi...incorniciai la sua foto nella mia camera.

    Monica Guerritore

  • Ci vogliono docili ma la forza spaventa. Alle donne dico che sono belle senza stravolgere il corpo.

    Monica Guerritore

  • Adesso non c'è più bisogno di forza fisica. Lasciate spazio alle donne...perché abbiamo un sacco di intuizioni

    Monica Guerriotore

  • Raccontiamo le donne per come siamo, non attraverso i filtri.

    Monica Guerritore

  • Vorrei poter vedere in trasparenza nelle parole di chi desidera governare questo paese...la fiamma della passione...e una visione ideale.

    Monica Guerritore

  • La storia dell'epoca e del momento che abbiamo passato noi donne [...] il racconto teatrale universale...non ho mai fatto spettacoli in cui il racconti di oggi, la rabbia della Fallaci insieme alla forza di Giavanna d'Arco, la malattia dell'Alzheimer, il tumore al seno.

    Monica Guerritore

  • Il rapporto diretto col pubblico è congelato della freddezza del mondo, dalla manipolazione di pensiero...bisogna far capire che la rappresentazione sul palco racconta il nostro momento sentimentale, politicp e sociale.

    Monica Guerritore

  • Ho pensato...una persona dal niente che ero, poteva essere di conforto...per tante donne...L'esperienza vada messa a disposizione degli altri.

    Monica Guerritore

  • C'è bisogno di raccontare un interregno femminile che esiste, ma che spesso è stato dimenticto.

    Monica Guerritore

  • Seguire la voce del cuore che si sa giusta e morire anche per quella.

    Monica Guerritore

Quel che so di lei. Donne prigioniere di amori straordinari.

Quel che so di lei. Donne prigioniere di amori straordinari (“What I Know About Her: Women Imprisoned by Extraordinary Loves”) by Monica Guerritore is a powerful literary narrative that intertwines the tragic fate of Giulia Trigona – an aristocratic woman murdered by her lover in 1911 – with the voices of iconic female characters from literature and theatre. Guerritore, an actress herself, enters Giulia’s mind during her final hours and, through her, brings to life eight other women: Emma Bovary, La Lupa, Carmen, Oriana Fallaci, and others.

These women share a common thread: they are trapped in passionate, often destructive, relationships. Guerritore explores why they allow themselves to be consumed, what binds them to men who ultimately destroy them. This is not a crime reconstruction, but a profound meditation on passion, submission, seduction, and resistance. Written in a poetic and almost theatrical style, the book invites readers to reflect on the vulnerability — and the strength — of female desire.

The result is a moving and timely work about love as a prison — but also about the possibility of liberation.

La forza del cuore

La forza del cuore: Le sfide della mia vita by Monica Guerritore is a deeply personal and moving memoir that explores the emotional and artistic journey of one of Italy’s most celebrated actresses. In this intimate account, Guerritore reflects on the defining moments of her life — from her early debut on stage under the direction of Giorgio Strehler, to the passionate and sometimes painful relationships that shaped her identity, including her long partnership with director Gabriele Lavia.

Through love, heartbreak, motherhood, and professional transformation, she discovers the true strength that lies in vulnerability and self-awareness. The book also touches on the challenges of illness, both her own and those of her loved ones, showing how even in the face of suffering, the human heart remains capable of healing and renewal.

Guerritore speaks candidly about aging, the shifting meaning of beauty, and the need for women to reclaim their space — in love, in work, and within themselves. Written in a vivid, theatrical, and introspective style, La forza del cuore is not just the story of an actress, but a universal reflection on resilience, identity, and the power of emotional truth.