Welcome to this site!

Here you will find articles about my personal work, but a large part of this space is also dedicated to Monica Guerritore – a remarkable woman whom I had the pleasure of getting to know. Her interest in my work gave me an incredible boost, something for which I am deeply grateful.

Monica Guerritore is an acclaimed Italian actress, writer, and director. She is especially known for her impressive work in theater, as well as for her roles in film and television. Her career spans decades of artistic depth, during which she has brought powerful, multi-layered female characters to life and directed theatrical projects that explore important social themes.

I had the honor to do create some Instagram posts for her – a unique opportunity that I embraced with great joy. In consultation with Monica herself, and with her full approval, a dedicated page has been created on this site featuring her projects, photos, articles, and much more.

You can follow her and her work on Instagram:

@monicaguerritore

Her production company: @luminamgr

Her film project Anna: @annailfilm

And I will also be regularly posting more articles and photos about her and all her creative work via my account: @kp_verhoeven

Monica Guerritore is a accomplished actress - theatre auteur - director - writer living in Rome, Italy.

She is working on her new project Anna Magnani!

Anna, a poignant film crafted by Monica Guerritore, who writes, directs, and stars, marks a historic portrayal of Anna Magnani, Italy’s most cherished actress. On March 21, 1956, Anna triumphs by winning the Oscar for Best Actress for The Rose Tattoo. The night before, she wanders the vibrant streets and piazzas of Rome, embraced by a loving crowd and haunted by cherished memories. Beside her is Carol Levi, a young woman poised to become her agent.

As dawn breaks, Anna revels in her victory; however, fate takes an unexpected turn, relegating her to the margins just as she reaches the pinnacle of her career. The film unfolds Anna’s audacious and spirited journey—rich with humor amid chaos—delving into the cinematic realm of Cinecittà, fraught with conflicts with directors and poignant betrayals. Ever-present in her thoughts is Roberto Rossellini, whose lingering influence leaves an indelible mark on her soul, enduring despite the passage of time. He will return to her, steadfastly by her side until the very end.

This is the story of a woman who never surrendered her voice — even as the world began to move on without her.

FAQs

  • The film takes place over the course of a single night: March 21, 1956. Italian screen legend Anna Magnani is waiting to hear whether she has won the Oscar for The Rose Tattoo. Instead of nervously waiting by the phone, Monica Guerritore imagines that Magnani, unable to bear the silence, escapes into the night streets of Rome.

  • The film follows Magnani from evening to morning:

    • Evening: She leaves her home and wanders through Roman bars and streets, seeking distraction and meaning.

    • Night: She dives into the nightlife of Via Veneto — full of melancholy, vitality, whispers, and memories.

    • Dawn: A magical, symbolic sunrise appears. Soon after comes the “day,” in which her Oscar victory is tinged with the early signs of fading prominence in the film industry.

    • Inner solitude and lost love

    • The tension between triumph and decline

    • Female strength in a shifting film industry

    • The struggle to remain visible as an artist

  • She describes the film as “cinematic poetry” — not a conventional biopic, but an intimate, imaginative journey through Magnani’s soul. Guerritore uses a three-part visual and emotional structure:

    1. The dark night

    2. The luminous dawn

    3. The stark, painful day

    • She organized public script readings in theaters and universities to incorporate audience feedback. These served as creative test beds: audience feedback directly informed the script, making contributors feel like collaborators rather tan donars.

    • She’s working with cinematographer Gino Sgreva (DOP). He is responsible for visually realizing Guerritore’s vison.

    • She’s funding the film partly through crowdfunding in Italy and North America. In autumn 2023, LUMINAMGR - Guerritore’s production company formed with her husband Roberto Zaccia - launched a Kickstarter campaign titled “FIRST FILM ON ANNA MAGNANI”. Guerritore described crownfunding as a “call to action” that places creative authority party in the hands of the public. The project also received funding from the Italian Ministry of Culture. Additional support came through RAI Cinema, a Swiss co-producer Catpix, and production partner Masi Film Srl.

  • In addition to Monica Guerritore in the lead role of Anna Magnani, serveral acclaimed Italian actors join the cast:

    • Tomassa Ragno as Roberto Rosselini. Anna Magnani and Roberto Rossellini shared a passionate, intense relationship - both romantic and artistic. Their patnership gave birth to masterpieces like Rome, Open City (1945), marking a turning point in Italian cinema.

      Thouh their affair ende when Rossellini began a new relationship with Ingrid Bergman, his bond with Magnani remained historically significant.

    • Beatrice Grannò will take on the role of Carla “Carol” Levi. Carla “Carol” Levi appears to be a fictional or composite character—a young woman from Anna Magnani’s world, rather than a strictly historical figure. Based on set photos showing Monica Guerritore (as Anna) and Beatrice in an intimate scene, Carol is likely a confidante, companion, or symbolic representation of the younger generation influencing Magnani during her nocturnal journey through Rome. 

    • Francesca Cellini as Suso Cecchi d’Amico. She represented a rare and valuable bond in Anna Magnini’s life - a union of creativity, trust, and female strength in a film world largely dominated by men. Their relationship went far beyond a series if successful collaborations:

      • They deeply admired and respected one another.

      • They were intellectual and emotional counterparts - women xho made their voices heard at the highest artistic levels, despite the barriers of their time.

Anna Magnani an inspiration for other great artist…

Great artist talking about Anna Magnani

  • Her characters "came to life" on screen, as if you weren't watching an actress, but someone truly experiencing suffering, love, and rage.

    Woody Allen

  • With this my first film, i intend to fill a void about her. To celebrate the courage, pride, dignity of this woman who redeemd the image of a humiliated Italy in the world...She was a giant.

    Monica Guerritore

  • I loved her style, I loved her acting, I lover her personality, I loved her reality - she was my role model as an actor and as a person.

    Helen Mirren

  • Italy has tremendous professional actors, and Magnani is a beacon not only for them but also for many stars abroad...think about Meryl Streep's emotion when she speaks of her, of Susan Sarandon and Helen Mirren's.

    Monica Guerritore

  • The greatest actress I have ever seen.

    Bette Davis

  • There was no vanity in her performances. She was fully ready to give. All she cared to do was tell the truth.

    Meryl Streep

  • An American would never think to play Anna Magnani...there are roles that must be played by Italians; Anna Magnani interpreted by someone from Ohio? The attitude - 'go to hell' - you wouldn't get.

    Monica Guerritore

  • She wasn’t perfect. She didn’t want to be. That’s what made her unforgettable.

    Martin Scorsese

  • There's a sense with Magnani that she'd literally thought of the thing she was doing. Talk about being in the moment. There's no one like that, no one has been, no one before or no one since.

    Helen Mirren

  • She wasn’t beautiful in the Hollywood sense, but everyone looked at her. She wasn’t a gentle woman, but everyone felt at home with her.

    Monica Guerritore

  • Anna is the only person I’ve ever written a play for.

    Tennessee William

  • She had that rare gift — she made you believe you were not watching a film. You were watching a person survive something in front of you.

    Woody Allen

  • I never saw a more beautiful woman — enormous eyes, skin the color of Devonshire cream.Once she generated you, she was ready to devour you… Her soul was one with her womb, maternal and possessive at the same time.

    Tennessee William

  • She wasn’t acting. She was. That wasn’t a performance — that was a person living in front of the camera.

    Martin Scorsese

  • She showed us how a woman could be ferocious and tender, ugly and beautiful, all at once — and never ask for forgiveness.

    Helen Mirren

  • Anna Magnani was always a reflection of her people… so strong, so authentic, so true and so professional.

    Monica Guerritore

  • She was never trying to be pretty. She was trying to be true. And that’s the rarest thing in this business.

    Bette Davis

  • The goddess… fantastic… Look at her eyes. Such intensity. A total commitment in everything she did. No vanity.

    Meryl Streep

  • I never saw a more beautiful woman — enormous eyes, skin the color of Devonshire cream.

    Tennesee William

  • A triumph — and a homecoming for the character I dreamed.

    Tennessee William

  • Watching Magnani is like watching life itself unravel on screen.

    Woody Allen

  • Anna Magnani could sit completely still and say nothing — and still be the most expressive person in the frame.

    Helen Mirren

  • The Most Complete Embodiment of Theatre.

    Jean Renoir

  • There was always something volcanic under her silences.

    Tennessee William

  • Romantic… she sees the figure in the landscape, like Pierre-Auguste Renoir.

    Pier Paolo Pasolini

  • That scream — it wasn’t just acting. It was the voice of grief, of war, of a city, of a people.

    Martin Scorsese

  • Anna did not act. She revealed. And I will never stop being moved by what she made visible.

    Tennessee William

  • She reminded me of the peasant women my father painted — full of life, mystery, and truth.

    Jean Renoir

  • She was not a character. She was a world. A voice. A body of the people.

    Pier Paolo Pasolini

  • As an actress, I really love people like Anna Magnani and Debra Winger. I also think there is nobody better…

    Penélop Cruz

  • She was Mamma Roma. She was Italy. She was the street, and the prayer, and the scream.

    Pier Paolo Pasolini

  • In her, I saw not just a great actress — I saw a whole country. A people. A language of the soul.

    Jean Renoir

  • I love to seduce: since I don't do it in my private life, I enjoy doing it on stage.

    Monica Guerritore

  • You seduce a man with your mind, with a glance.

    Monica Guerritore

  • Seduction? It's a woman's primary source of power, it lives within us, but it's a double deception: towards a man and towards ourselves.

    Monica Guerritore

  • You can't always wear a corset to win your man back every day. That would be uncomfortable in the kitchen while frying an egg or changing the diapers of 'his' duaghter. Yet men are just like that.

    Monica Guerritore

  • Despite my name, my talent, and my experience, I encountered difficulties.

    Monica Guerritore

  • The source of so many tragedies is the inability to contain pain...Literature and theatre teach us...how to die.

    Monica Guerritore

  • There's always a need for a mentor who finds the 'seed' of talent in us...but then one must study, because talent, if uncultivated, is worthless.

    Monica Guerritore

Born in Rome in 1958, Monica Guerritore — fresh off a huge hit on Netflix with ‘Deceitful

Love [INGANNO]’ — is one of the most talented and appreciated Italian actresses, theatre directors and playwrights.

The serie ‘Deceitful Love’ was met with immediate success and climbed into Netflix’s global Top 10, even reaching the number one spot in several countries, including the United States. Although it was initially conceived as a limited series, its popularity has fueled speculation about a second season. The first season ends on an ambiguous note, with Gabriella acknowledging Elia’s possible intentions but choosing to stay with him—leaving the door open for further narrative development.

She started her theatre career almost by chance and in a very cinematic way: Giorgio Strehler — the great theatre director — was looking for a young girl to play Anya in Cechov’s *The Cherry Orchard*, but the search seemed impossible. Until one day he saw Monica, by pure chance, on stage because she was accompanying a friend: so beautiful, so delicate… an Ingrid Bergman kind of girl. Strehler knew immediately she was perfect to play the daughter of the lovely ValentinaCortese in Cechov’s masterpiece.

She was only 15, and from that day she never stopped acting.

Her career spans several decades, during which she has appeared in numerous Italian films and television series, as well as international productions. In addition to acting, she has directed several theater productions. 

Guerritore is celebrated for her contributions to Italian cinema and theater, earning critical acclaim and a loyal audience. Her recent work includes appearances in popular series on streaming platforms, solidifying her status as a prominent figure in contemporary Italian entertainment.

Monica Guerritore is much more than just a celebrated actress — she’s a passionate, engaged, and creative personality who has been committed to the arts, culture, and social issues for decades.

What she does:

Monica is active as a:

  • Actress: She performs in films, television series, and especially in theater. Her roles are often intense, dramatic, and powerfully feminine — think Lady Macbeth or Medea.

  • Director and writer: She not only stars in powerful theatrical roles but also writes and directs original works. Recently, she wrote and directed a new film project about legendary Italian actress Anna Magnani, a tribute that explores Magnani’s life, struggles, and enduring influence on Italian cinema. Guerritore’s direction honors Magnani’s legacy while adding her own voice and interpretation to a cultural icon.

  • Cultural ambassador: She uses her voice beyond the stage as well, engaging in interviews, public debates, and on social media to speak out on women’s rights, freedom of expression, and the vital role of the arts in society

What she contributes to:

  • Women’s empowerment: Much of her work centers on the strength, complexity, and resilience of women. She helps shape the cultural narrative around gender, identity, and female agency.

  • Preserving theater and culture: Guerritore is a strong advocate for keeping live performance and classical theater alive, especially in an era dominated by digital entertainment.

  • Social involvement: She is vocal in supporting human rights, civil liberties, and cultural education, often collaborating with schools and civic organizations.

What kind of person she is:

  • Passionate and intense: Both on stage and in her public presence, she exudes conviction, emotional depth, and integrity.

  • Bold and fearless: She doesn’t shy away from complex or controversial topics, and she isn’t afraid to challenge norms — artistically or socially.

  • Thoughtful and insightful: Her work is rich with emotional nuance and intellectual depth, always striving to reflect deeper truths about the human condition.

In short: Monica Guerritore is an artist with purpose. Through her work as an actress, writer, and director — including her latest film honoring Anna Magnani — she continues to inspire, provoke, and contribute to a more compassionate and culturally rich society.

“ Non l’ho imitata né nella voce né nel viso. Insisto: le ho offerto me stessa, il mio viso, il mio corpo, la mia realtà d’attrice, persino i miei capelli. Saranno gli spettatori che si abitueranno lentamente alla sintesi finale. Anna era piena di colori interiori a tinte forti. E lo stesso vale per me ”

“Monica Guerritore”

UPCOMING EVENTS & SHOWS

UPCOMING EVENTS & SHOWS

Saterday 30 August

Piazza XIII Martiri Lovere - 21:00
Rome, Italy

A moving and evocative poetic-musical performance by Monica Guerritore and Giovanni Nuti, dedicated to the unforgettable voice of poet Alda Merini. Through Guerritore’s powerful interpretation and Nuti’s original music, the show brings to life Merini’s verses—rich with love, madness, suffering, and beauty. An intense and intimate experience that blends theatre and song, celebrating one of Italy’s most profound literary voices.

Month

Venue
Rome, Italy

Additional events and performances will be added as soon as further details are available. More will be added…I’ll keep you in the loop! Thanks for you patience.

Month

Venue
Firenze, Italy

Additional events and performances will be added as soon as further details are available. More will be added…I’ll keep you in the loop! Thanks for you patience.

Career Highlights

She does it all — films, series, theatre, and public talks — and she masters them with ease. Monica Guerritore moves effortlessly between genres and styles, from classical drama to contemporary storytelling, from intense monologue to light-hearted comedy. Whether she’s performing on screen, commanding the stage, or speaking directly to an audience, she brings the same fierce intelligence, emotional depth, and artistic precision. Her ability to adapt, lead, and transform across so many forms of expression makes her one of the most versatile and respected voices in Italian culture today.

La Lupa

La Lupa is a powerful verismo drama based on the novella by Giovanni Verga. Set in a poor Sicilian village, the story centers on Pina, nicknamed “La Lupa” for her uncontrollable sexual desire. She becomes obsessed with a young farmer, Nanni, who rejects her and marries her daughter Maricchia. Despite this, Pina continues to seduce him, leading to tension, shame, and ultimately violence.

Monica Guerritore plays Pina with intense passion and sensuality. Her character embodies the central theme: the destructive force of unchecked desire within a closed, traditional community. The film shows how instinct and passion can overpower reason and social norms.

Inganno

Inganno is a stylish and emotionally charged Italian miniseries that follows Gabriella, a wealthy woman in her sixties who runs a boutique hotel on the Amalfi Coast. Recently divorced, she begins a passionate relationship with Elia, a mysterious man in his thirties. Their romance reignites her sense of freedom and desire but causes tension with her children and ex-husband, who suspect Elia may have ulterior motives.

The series explores themes of age-gap relationships, the clash between personal happiness and family expectations, and the risk of following desire over reason.

Monica Guerritore plays the lead role of Gabriella with elegance and emotional depth, portraying a woman rediscovering her identity and sensuality. Her performance earned her the 2025 Nastro d’Argento award for Protagonist of the Year.

Fred & Ginger

Ginger & Fred is a theatrical adaptation of Federico Fellini’s famous film. It tells the story of two former dance partners, once known as Ginger and Fred, who reunite after many years to appear on a TV variety show. As they rehearse for their brief comeback, they reflect on their past, lost dreams, and the superficiality of modern entertainment.

At the heart of the play is Monica Guerritore, who plays Amelia “Ginger” Bonetti. She is also the director and adaptor of the show, bringing a fresh, critical take on the original. Her role is central—both on stage and behind the scenes—as she breathes new life into Fellini’s vision with emotional depth, elegance, and modern relevance.

Joan of Arc

Tireless, perfectionist, and always seeking big challenges, she wrote directed and performed ‘Joan of Arc’ - a real tour de force - from 2005 - 2009. The play is now also being performed in France in a French translation by Jean Paul Manganaro (translator of Calvino and Pasolini).

Monica stands alone on stage, yet with minimal props - a rope, a stake, lighting, and music - she conjures an entire world. Her Jeanne is not a distant historical icon, but a fiery young woman who follows her inner calling and resists a world that does not understand her. Guerritore portrays her with physical and emotional strength that deeply moves the audience: every glance and movement carries meaning.

Husband and Wives

She adapted Woody Allen’s screenplay ‘Husband and Wives’ for the stgae - with Mr. Allen’s permission.

In ‘Mariti e Mongli’, Guerritore masterfully adapts and directs the story of two couples facing the unraveling of their relationships. When one couple splits up, a chain reaction of doubt, jealousy, and hidden longing is set in motion.

End of the Rainbow

She played an iconic Judy Garland in ‘End of the Rainbow’, where she also proved to be a talented live singer.

“End of the Rainbow” tells the gripping story of the final weeks in the life of legendary singer Jury Garland. The Italian adaptation of this internationally acclaimed play gains powerful emotional depth through the exceptional performance of Monica Guerritore, who brings Garland to life in all her vulnerability, rage, humor, and longing.

The Cherry Orchard

Giorgio Strehler knew immediately Monica was perfect to play the daughter of the lovely Valentina Cortese in Cechov’s masterpiec.

She was only 15. She made her stage debut at a young age as Anya. The young daughter full of hope for change, embodied a new generation.

From dreamy youth to fading aristocrazy, Guerritore gave both faces of Chekhov’s masterpiece a powerful soul.

La Lupa

The film ‘La Lupa/ She Wolf’ turned her into an internationally acclaimed dramatic star. La lupa is a Italian drama, adapted from the classic short story by Giavanni Verga. Set in the rigid and patriarchal society of 19th-century Sicily, the film follows a fiercely independent and passionate woman, known as “La Lupa” - played by Monica Guerritore - who defies societal norms in pursuit of desier and emotional truth.

The good Person of Sezuan

In 2019, she took on another majar challenge: directing and starring in Brecht’s ‘The good Person of Sezaun’, as a tribute to her beloved mentor Giorgio Strehler. “I’m not afraid",” she declaired. “I stand on a giant’s shoulders.’

Monica Guerritore emphasizes the timeless struggle between idealism and survival, showing how modern society - like Brecht’s - demands masks and compromises. Her poetic staging, emotional depth, and use of symbolic music connect the story directly to today’s world, making it urgent, moving, and deeply human.

Inganno

The serie ‘Deceitful Love’ was met with immediate succes and climbed into Netflix’s global Top 10, even reaching number one spot in several countries, including the US.

Sant’Agostino

She portrayed Saint Monica in Christian Duguay’s ‘Sant'‘Agostino’, The Englisch version is titled ‘Restless Heart: The confessions of St. Agustine’.

It is a two-part TV miniserie depicting Augustine’s journey from a life of excess to faith and leadership. Guerritore plays his mother, Monica, as a quit yet powerful presence: unwavering in prayer and essential to his conversion. Her role forms the emotional core of his spiritual transformation.

  • La vita dopo una certa età cambia. Non si ha più voglia di drammi, di conflitti, di spiegazioni. Si comincia una sorta di 'Selezione'.

    Monica Guerritore

  • Lasciami tutte le rughe, non me ne togliere nemmeno una. Le ho pagate tutte care. C'ho messo una vita a farmele!

    Anna Magnani

  • La fase che sto vivendo porta dei vantaggi: per esmpio che si possa amare senza pensara a dover fare dei figli. Amare per amare.

    Monica Guerritore

  • C'è bisogno di raccontare un interregno femminile che esiste, ma che spesso è stato dimenticato.

    Monica Guerritore

  • Scelte do qualità che potessero lasciare un segno.

    Monica Guerritore

  • Il teatro è una palestra per l'anima, il coure, i sentimenti.

    Monica Guerritore

  • Il coraggio. Come Oriana, non ho mai voluto scusarmi per lo spazio che occupavo.

    Monica Guerritore

  • Il tempo lo analizzi in continuazione...Le cose cambiano e noi stessi cambiamo.

    Monica Guerritore

  • I segni del tempo sono il sup biglietto da visita...certificano la sua autorevolezza.

    Monica Guerritore about Anna Magnani but also reverence to her

  • Il mio film parte dal 21 marzo 1956, la notte in cui la Magnani aspetta l'Oscar...Dopo l'Oscar il grande schermo non le è più familaire...la curva del destino.

    Monica Guerritore

  • Non ero in quel fiume di giovani ragazze inesperte...nonostante il nome, il talento e l'esperienze ho avuto difficoltà e le porte chiuse.

    Monica Guerritore

  • Mi hanno scelta perché non ero rifatta. L'amore di una donna tra i 50 e i 70 anni va raccontato.

    Monica Guerritore

  • Se una donna di 60 anni doveva sembrare di 40, il pubblico non si sarebbe identificato.

    Monica Guerritore

  • In Inganno la protagonista si umilia per amore, ma quella passione la rende viva. Diventa padrona del suo destino.

    Monica Guerritore

  • Accettai quel ruolo perché era scritto con amore, con curiosità per tutte le sue crepe...Avevo bissogno di una storia dal sicuro successo.

    Monica Guerritore

  • Il corpo per noi attori di teatro è uno strumento di lavoro: è come cammini, come ti siedi, come abbracci.

    Monica Guerritore

  • Inganno mostra che una donna di 60 anni puo ancora innamorarsi e avere una vita sessuale travolgente.

    Monica Guerritore

  • Ho affrontato temi come sessualità adolescenziale, aborto, incesto e adulterio...

    Monica Guerritore

  • Accettia quel ruolo perché era scritto con amore...avevo bisgno di una storia dal sicuro successo.

    Monica Guerritore

  • Già nella Lupa ricordavo Anna Magnani, negli occhi...incorniciai la sua foto nella mia camera.

    Monica Guerritore

  • Ci vogliono docili ma la forza spaventa. Alle donne dico che sono belle senza stravolgere il corpo.

    Monica Guerritore

  • Adesso non c'è più bisogno di forza fisica. Lasciate spazio alle donne...perché abbiamo un sacco di intuizioni

    Monica Guerriotore

  • Raccontiamo le donne per come siamo, non attraverso i filtri.

    Monica Guerritore

  • Vorrei poter vedere in trasparenza nelle parole di chi desidera governare questo paese...la fiamma della passione...e una visione ideale.

    Monica Guerritore

  • La storia dell'epoca e del momento che abbiamo passato noi donne [...] il racconto teatrale universale...non ho mai fatto spettacoli in cui il racconti di oggi, la rabbia della Fallaci insieme alla forza di Giavanna d'Arco, la malattia dell'Alzheimer, il tumore al seno.

    Monica Guerritore

  • Il rapporto diretto col pubblico è congelato della freddezza del mondo, dalla manipolazione di pensiero...bisogna far capire che la rappresentazione sul palco racconta il nostro momento sentimentale, politicp e sociale.

    Monica Guerritore

  • Ho pensato...una persona dal niente che ero, poteva essere di conforto...per tante donne...L'esperienza vada messa a disposizione degli altri.

    Monica Guerritore

  • C'è bisogno di raccontare un interregno femminile che esiste, ma che spesso è stato dimenticto.

    Monica Guerritore

  • Seguire la voce del cuore che si sa giusta e morire anche per quella.

    Monica Guerritore

Quel che so di lei. Donne prigioniere di amori straordinari.

Quel che so di lei. Donne prigioniere di amori straordinari (“What I Know About Her: Women Imprisoned by Extraordinary Loves”) by Monica Guerritore is a powerful literary narrative that intertwines the tragic fate of Giulia Trigona – an aristocratic woman murdered by her lover in 1911 – with the voices of iconic female characters from literature and theatre. Guerritore, an actress herself, enters Giulia’s mind during her final hours and, through her, brings to life eight other women: Emma Bovary, La Lupa, Carmen, Oriana Fallaci, and others.

These women share a common thread: they are trapped in passionate, often destructive, relationships. Guerritore explores why they allow themselves to be consumed, what binds them to men who ultimately destroy them. This is not a crime reconstruction, but a profound meditation on passion, submission, seduction, and resistance. Written in a poetic and almost theatrical style, the book invites readers to reflect on the vulnerability — and the strength — of female desire.

The result is a moving and timely work about love as a prison — but also about the possibility of liberation.

La forza del cuore

La forza del cuore: Le sfide della mia vita by Monica Guerritore is a deeply personal and moving memoir that explores the emotional and artistic journey of one of Italy’s most celebrated actresses. In this intimate account, Guerritore reflects on the defining moments of her life — from her early debut on stage under the direction of Giorgio Strehler, to the passionate and sometimes painful relationships that shaped her identity, including her long partnership with director Gabriele Lavia.

Through love, heartbreak, motherhood, and professional transformation, she discovers the true strength that lies in vulnerability and self-awareness. The book also touches on the challenges of illness, both her own and those of her loved ones, showing how even in the face of suffering, the human heart remains capable of healing and renewal.

Guerritore speaks candidly about aging, the shifting meaning of beauty, and the need for women to reclaim their space — in love, in work, and within themselves. Written in a vivid, theatrical, and introspective style, La forza del cuore is not just the story of an actress, but a universal reflection on resilience, identity, and the power of emotional truth.